For the last couple of days, the house team have mainly been concentrating on emptying the Drawing Room of its contents, as the room is being redecorated next week. The paintwork is looking a little old and tired, and a new coat of paint should really brighten the room up. Of course, this does mean that there was the ‘small’ matter of where the room’s contents were going to be temporarily stored!
Standen isn’t a large house, and aside from the permanent storage spaces that are already in use, we don’t have much in the way of additional storage space for our collection. When it came to temporary storage for the Drawing Room collection, we needed to utilise other showrooms – consequently we ended up with cushions on the billiard table, and an array of ceramics safely stored on the Dining Room table…a slightly odd sight! Although there were lots of objects to be moved, members from the house team – along some of our conservation volunteers – were on hand to help, and the move went a lot more smoothly and quickly than anticipated.
Clearing the Drawing Room of its contents was a good opportunity to properly inspect the room and its contents – in particular, the wallpaper and carpet. The wallpaper is a William Morris design called Sunflower, and looking at it closely, we could see that there was silverfish damage in places, although the damage didn’t seem to be quite as bad as we found in the Larkspur Dressing Room last week. The carpet – also a Morris design – is huge, and almost fills the room. We were concerned that it may have fresh damage in places from carpet beetle, but because of its size, it was impossible to check the carpet thoroughly until we were able to completely empty the room – luckily, we could find no traces of new damage.
The Drawing Room is a favourite of mine – it’s such a restful room, with so many wonderful features – and with the room empty, you could really appreciate the space itself. The craftsmanship that had gone into creating its outstanding features, such as the fireplace surround and the fretwork around the windows, was particularly apparent. The room looked so different, and we all agreed that it would make a fantastic setting for a dance or a party!
This is the first experience I’ve had of emptying a room, and it was interesting for me to see the logistics of safely moving heavy items of furniture and countless precious objects – and organising them so that they kept the order they were displayed in! Fragile objects are removed bit by bit, which can often seem labour-intensive (a particularly fragile teapot lid was removed from the pot itself, and carried separately), but it really is the best way to ensure existing repairs or damage are not weakened. The heaviest and largest items of furniture – such as the huge, George Jack-designed display cabinet and the Morris carpet – will remain, covered in dust sheets in the centre of room, with the decorators working around them.